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The story behind the photo: Skáli

Stone shelter in Steingrímsfjarðarheiði, Western Fjords, Iceland (click image to view larger)
Stone shelter in Steingrímsfjarðarheiði, Western Fjords, Iceland (click image to view larger)

Skáli (pr: ‘scowly’) is Icelandic for ‘hut’. This stone, wood and turf hut can be found on route 61 that takes you from the main ring road around Iceland (route 1) to the Western Fjords in north west Iceland.  The road climbs steeply from Steingrímsfjörður fjord until you reach a weather monitoring station at the highest point of the pass, before descending back to Ísafjörður fjord and continuing on to Ísafjörður, the town, which (confusingly) lies on the banks of Skutulsfjörður fjord. On the opposite side of the road from the monitoring station, this hut stands defiantly, through wind, snow, and rain, providing shelter for anyone who may find themselves caught in this desolate place.

This photo was taken in late May of 2009, near the height of the Icelandic summer and the peak of the Icelandic day length (the sun was setting after midnight and rising again about three hours later). Yet the latitude (65° North) combined with the altitude (around 450 metres  or 1500 ft) meant that the landscape was still covered in snow. The overcast weather ensured I could expose for the wall of the shelter and completely blow out the sky and the snow, creating an almost abstract shape where the hut and its surrounding moss and rocks cut a shallow diagonal across the picture.

The hut’s door is slightly ajar, inviting you inside, and the window looks to me like a single Cyclopean eye, glaring to the south, daring the weather to do its worst as the small, squat building protects anyone who wishes to take refuge inside.

This image is part of a collection taken during that summer 2009 visit to Iceland called Svart/Hvít (black and white), which you can see in full here. All the images are for sale as prints at that link. There is also a book for sale at Blurb, in hardback and e-book format.

The story behind the photo: Going up

Spiral staircase at CitizenM London Bankside hotel
Spiral staircase at CitizenM London Bankside hotel (click image to view larger)

Once again this is an example of looking the other way. As part of my work as the London photographer for Hotel Tonight, I have been sent to some pretty spectacular hotels and apartments in and around the capital. One of the ones that impressed me most in 2012 was CitizenM London Bankside, part of a Dutch chain of hotels which feature identical budget rooms alongside highly decorated public areas. The Bankside hotel is in a converted office building and features automated check-in via computer terminals and a wooden spiral staircase from the ground to the first floor.

I love spirals, in nature or otherwise, so I set my camera on the tripod at the bottom of the staircase and pointed straight up. Craning my neck to view the display on the back of the camera, no doubt attracting puzzled looks from hotel guests and staff, I aimed the camera up along the axis of the spiral staircase towards the black globular lampshades hanging from the first floor ceiling, and ended up with a photo that is almost abstract, fooling the eye with the combination of sweeping curves and radiating wooden slats.

I’ve taken hundreds of photos of hotels over the past two years, but this one is probably my favourite still.

The story behind the photo: Working the crowd

I’ve been racking my brain lately for something to write about that could be a regular feature on the blog. Loads of people say you should just write what interests you, but so much interests me and I want to keep the blog photography themed. Hence, “The story behind the photo” – an occasional series where I post one of my favourite photos and explain how it came about.

Jon Hopkins performing at Iceland Airwaves 2013
Jon Hopkins performing at Iceland Airwaves 2013 (click image to view larger)

Today’s photo is a shot from Iceland Airwaves 2013, the annual music festival held in Reykjavík, to which I have been as photographer for The 405 since 2011. Even in that short space of time I’ve seen the festival grow; I’ve seen popular venues close and new ones open, and I’ve seen Björk in the wild several times. During the early morning of 3rd November, Jon Hopkins took to the stage of Harpa Silfurberg to close the night with some face-melting electronic music.

When shooting electronic music, there isn’t really a lot you can do. In this case, Hopkins was alone on stage standing behind his gear, so all you could see from the photo pit was his head and shoulders, and little else. The lighting was mainly from the back of the stage too, so you could barely see his face, leading to a few disappointing shots of an anonymous figure looking downwards with a frown of concentration barely visible through the dry ice.

As a photographer, one soon learns that many of the best shots come from looking the other way. Nowhere was this more true than at this particular gig, as the aforementioned backlighting would occasionally cast amazing colourful shadows on the walls of the venue, while also illuminating the faces of the crowd. So I stood to the far end of the pit, hoping that nobody else would spot what I was doing, perched on a step (taking care not to get in anyones way) and waited for the silhouette of Hopkins to appear.

The final result is one I’m very pleased with – the larger-than-life silhouette with the coloured edges makes Hopkins appear as an almost supernatural presence, as much operating the crowd directly as he is his equipment.

Iceland Airwaves 2013 preview

Prinspóló

Last year, as I had done the year before, I went to Iceland Airwaves in Reykjavík to take photos for The405. I said afterwards that it would probably be the last time I did music photography, as my professional career was taking off, and I wan’t able to afford the endless trips to London to cover gigs for the website, much as I had been enjoying them.

This year, The405 were approached by the festival organisers about forming a media partnership with Iceland Airwaves, and it turns out I’ll be able to go along to this year’s festival again, with another photo pass, so I find myself just a few weeks away from another week of music, beer, hotdogs and lopapeysur, ready to rediscover my love for gig photography.

This year, a few local bands that I still haven’t managed to catch at a live performance are playing, including Múm and Emilíana Torrini, and German legends Kraftwerk will be making an appearance too. On top of the scheduled line-up (see Harpa Silfurberg on Friday for The405’s stage) there is the usual array of endless off-venue gigs, where festival goers are crammed, sardine-like, into bookshops, cafés, hostels and bars (and even bus stops) to catch more intimate performances from the visiting artists. A highlight for me from last year was when Ólöf Arnalds played to an entranced Restaurant Reykjavík, and we spotted none other than Björk in the crowd afterwards. It’s not uncommon to find yourself sitting next to, or passing in the street, any of the performers from the bands playing at the festival, and this feeling of involvement that is unique to Iceland is what makes the festival feel so special for me.

If you’re going this year, look out for me in my lopapeysa and stop me and say hi if you recognise me. I’ll no doubt be with my bros from The405: Oli, Tim and Stephen, most of us carrying our cameras around with us, so we shouldn’t be hard to spot.

And if you’re not going, keep an eye out on The405’s website, the Grapevine’s Airwaves minisite, or my own Facebook page for updates from the festival, photo galleries, interviews, sessions and more may well appear, so you can enjoy it as vicariously as you dare.

 

A model of positivity

Ex-GW_Collett_Brake_Third-fixedHeather Kavanagh is someone, like Paul Dunning, whom I’ve known online for a very long time. As a freelance designer she really started to struggle when the financial crash of 2008 hit, and a concerted effort to find full-time employment let to a few interviews but no work. It got to the stage where she was feeling so low, she considered professional help.

However with the help of her network of friends, and the support of her partner, she managed to keep up the search for her professional niche. She decided to look into photography of scale models, something she had been doing (and enjoying for years), but nobody took her seriously enough to want to hire her.

A chance conversation with a friend at a railway modelling meeting let her to build a model railway coach for him. He was really pleased with the result, so she ended up making three more coaches for him, and three more, to the point where her friend suggested she contact the manufacturer of the models to offer her services.

They took her up on her offer, and before long she became a professional model maker, working on a commission for a complete stranger. She now has a whole stack of commissioned models, with the prospect of much more to come, with a workload that will keep her busy until the middle of next year.

From a personal perspective, having been witness to Heather’s struggles as she tried to find something that was right for her, I’m delighted that things are going so well for her now, and, like me, she’s finally being paid to do something she loves, which is the best feeling in the world. She credits her success to “trying to be positive about something I could do, and talking to people who were prepared to give me a break”.

So, a really positive positivity story for you! You can see her site at www.heatherkay.co.uk and her blog is at www.snaptophobic.co.uk.