Archive for the ‘Galleries’ Category

Kingfisher

Thursday, April 12th, 2012

We are extremely priv­ileged where we live to have a small stream that runs past our street, which plays host to king­fish­ers, prob­ably the UK’s most col­our­ful bird. They are extremely shy birds, how­ever, so a bit of stealth was required to cap­ture this beau­ti­ful winged hunter on camera.

There is a branch extend­ing over the stream which is covered in bird excre­ment, a clue to the bird’s favoured vant­age point. Almost every time I go out to the car, I see him perched on the same spot, and as soon as he spots me he shoots off down the river, a streak of orange and blue.

Over the last two days I’ve been using the car as a hide from which to trig­ger the cam­era remotely in order to get a closer look at him. Ini­tially I had the cam­era perched on the bank, which is about four feet above water level, and was able to get three pic­tures of him in vary­ing poses as he sat on the branch, look­ing for food. Today, how­ever, I set the cam­era up in the water itself, so was able to get down to his level, and the final pic­ture of this quar­tet was taken from this angle, show­ing him in glor­i­ous profile.

Útidúr at the Lexington: Ja Ja Ja Nordic

Friday, March 30th, 2012

The ever excel­lent Ja Ja Ja Nor­dic held their latest event at the Lex­ing­ton last night, fea­tur­ing Manna from Fin­land, Denmark’s Freja Loeb, and one of my favour­ite Icelandic bands, Útidúr. I was intrigued by how they’d fit the 12 strong Icelandic col­lect­ive on the tiny stage, but as it turned out there were only 8 of them and they just about managed.

Here are a few pics from the evening.

Aurora Chasing: Part III

Wednesday, March 28th, 2012

Con­tinu­ing the diary of my attempts to cap­ture the aurora. Part one is here, and part two here.

Over the next few days I set out on vari­ous routes achiev­able from the cap­ital in a single day. The weather fore­cast for pretty much the whole week was show­ing as con­stant rain, but as they say in Ice­land, if you don’t like the weather, just wait five minutes. Indeed, I was blessed by mostly fine weather for much of my time on the road, and occa­sion­ally by air so clear that I could see moun­tains sev­eral kilo­metres away without a hint of haze.

The afore­men­tioned Reyk­janes pen­in­sula (or Reyk­janessk­agi to give it its full name in Icelandic) has recently seen the com­ple­tion of a fully sur­faced road stretch­ing along its south­ern extent, from Grin­davík in the west to the ferry port at Þórklashöfn in the east. I headed towards the lat­ter town from Reyk­javík on a route that passes through the high alti­tude Hellisheiði pass. It’s not uncom­mon for the weather in the pass to be very dif­fer­ent from that in the city, and so it proved as the light drizzle in Reyk­javík gave way to a snow-​​covered land­scape with ice on the road and cloud every­where. The des­cent towards Hver­agerði is a steep, wind­ing road where you have to be excep­tion­ally care­ful not to lose grip, espe­cially when it is slip­pery. Driv­ing down this route gives one a clear indic­a­tion of just how dan­ger­ous driv­ing in Ice­land can be if you are not care­ful, and this is on one of the best roads there is.

Þórlak­shöfn is one of two ter­min­als for the ferry ser­vice to the West­man Islands. The other, Landey­jahöfn, is fur­ther east, and recently took over as the primary ter­minal as it allows for a much shorter cross­ing. Þórlak­shöfn how­ever remains act­ive as a backup for when fer­ries are unable to take the shorter route. The com­munity of vil­lages and farms nearby gather at Strandarkirkja, a small wooden church, typ­ical of rural Ice­land, built right on the coast. It is sep­ar­ated from the beach, where the bit­terly cold sea meets harsh vol­canic rocks and black sand, by a wall of rocks which was still covered in a dust­ing of rain-​​washed snow.

Strandarkirkja, a small church near Þórklák­shöfn in south­w­est Iceland

I walked over some slip­pery steps, sup­port­ing myself with the aid of the freezing-​​cold metal chain hand­rail, to explore the tex­tures on the beach, as the tide was quite low. Sea­weed, basalt, black sand and shal­low water chan­nels provided vari­ety and interest. Back by the church, a statue by Gun­nfriður Jóns­dót­tir called Land­sýn (Land in Sight) looks out over the ocean, and there was a line of snow up the figure’s back indic­at­ing just how strong the wind had been recently.

The slip­pery path over the sea defences at Strandarkirkja

Lava tex­tures on the beach at Strandarkirkja

Black sand on the beach at Strandarkirkja

A crack in the lava on the beach at Strandarkirkja

Land­sýn (“Land in Sight”), a statue by Strandarkirkja

Fur­ther west lies the sleepy fish­ing town of Grin­davík, where the Grin­davík Ice Com­pany provides crates of ice for the local fish­er­men. I’m used to see­ing ice out in the wild in Ice­land, but the stacks of ice-​​filled con­tain­ers out­side the company’s bright red ware­house was a less famil­iar sight! On the way to Grin­davík the road passes some extremely odd shaped vol­canic struc­tures, one of which looks like an octopus emer­ging from an roil­ing ocean that has been frozen into solid lava.

Rock­topus!

If you con­tinue fur­ther still, the road heads to a hot spring area called Gun­nuhver, where a ghost called Gunna is said to have caused much per­turb­a­tion until being tricked into fall­ing into a hot spring. The cold weather meant that the steam from the hot springs, with its now famil­iar (to me) eggy/​Marmitey smell, over­whelmed the whole area, leav­ing the bub­bling mud and boil­ing water invis­ible. How­ever the wooden walk­ways through the area dis­ap­peared into the steam in a won­der­fully gothic way.

The wooden path at Gun­nuhver dis­ap­pear­ing into the steam

Turn­ing north, back towards the inter­na­tional air­port at Keflavik, one crosses the fault line that lies between the North Amer­ican and Euras­ian tec­tonic plates. Those ever resource­ful Icelanders have built a ‘bridge between the con­tin­ents’ at one point, where you can stand above the ever-​​widening crack as the two plates move apart by a few cen­ti­metres every year. The gap is filled with black sand and not, as some might expect, boil­ing lava, which means you can walk beneath the bridge as well as over it.

The bridge between con­tin­ents — North Amer­ica on the left, Eurasia on the right

As I headed back towards Reyk­javík, I took a detour past Klei­far­vatn, a lake which in 2000 began to drain away slowly, after a fis­sure was opened up by an earth­quake in the area. Even now it’s pos­sible to see how far it has receded as there are vast black sandy areas between the edge of the lake and the rocks by the road. Inter­est­ingly shaped chunks of ice had formed at the edge of the lake, and tyre marks left by some no-​​doubt bonkers 4×4 con­trap­tion had part-​​filled with snow, mak­ing shapes that in places resembled writ­ing in some for­eign script.

Ice shapes on the edge of Kleifarvatn

Snow and tyre tracks at Kleifarvatn

Back in Reyk­javík, I vis­ited Per­lan (The Pearl) to grab a shot of one of my favour­ite views of the city. Heavy bands of cloud over­head ensured there would be no aurora view­ing tonight, but they did help to provide some impress­ive light over the bay.

View of Reyjkavík from Per­lan. The large church is Hallgrím­skirkja, Hallgrímur’s church, whose design was influ­enced by the basalt columns com­mon through­out Iceland.

Late sun over the bay at Reyk­javík, seen from Perlan

After some food, and once it was com­pletely dark out­side, I headed down to Harpa, the con­cert hall by the har­bour, to pho­to­graph the light show cre­ated by indi­vidual strips of light con­tained within each cell of its pseudo­geo­lo­gical façade. You can watch a video of the dis­play here.

Reykjavík’s amaz­ing dynam­ic­ally lit con­cert hall and opera house, Harpa.

The green and red lights dan­cing across the façade were remin­is­cent of the aurora

The dis­play went on all night, as far as I could tell.

Claire

Tuesday, March 20th, 2012

I recently had the pleas­ure of a pho­toshoot with Claire, a friend who volun­teered for a ses­sion after see­ing my recently added Por­traits port­fo­lio (which now includes some pics of her from the shoot). I have included here the best of the bunch, and would also like to intro­duce you to my new por­traits busi­ness, the ima­gin­at­ively named Nick Miners Por­traits. If you’re in the Hert­ford­shire area, or Lon­don, (or even if you’re not but are pre­pared to pay my travel expenses) please go and have a look and feel free to book a ses­sion or make an enquiry. I would love to see you.

Andrew Butler EP Launch

Thursday, February 16th, 2012

Nas­cent folk label Folk­room Records held their first ever launch event last night at the Queen’s Head in Lon­don, to mark the release of Andrew Butler’s EP  ‘Feb­ru­ary 14th’. A won­der­ful little pub ended up very busy, and rightly so, for we were treated to a delight­ful even­ing of acous­tic stringed instru­ments and their sing­ers (or was it the other way round?).

Head on over on 29th for the next Folk­room event. You won’t be disappointed.