Nifty fifty

Saturday, February 13th, 2010

It’s been said that you’re only 50mm away from becom­ing a bet­ter pho­to­grapher. Time was when pretty much any (film) SLR cam­era you bought had a 50mm lens strapped to the front, often with a max­imum aper­ture of f/1.8. The thing is, a 50mm lens is at the sweet spot where the image qual­ity to cost ratio is at its highest. How­ever these days, most kit lenses that ship with even the most expens­ive DSLRs are so poor that they are hardly worth both­er­ing with. Most people, though, are unaware of this, and con­tinue to use sub-​​standard glass and won­der why their pic­tures never look like how they remembered them.

I have attached here a selec­tion of my favour­ite shots taken with my trusty Sigma 50mm EX-​​DG Macro — a lens that cost me £200 and is as sharp as lenses that cost five times more.

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3 Responses to “Nifty fifty”

  1. Christian Nelson Says:

    Bril­liant Nick! Love this set.

  2. Heather Says:

    The cheap Canon 50mm ƒ/1.8 was one of the first pur­chases I made. It makes me won­der why man­u­fac­tur­ers don’t use them as the kit lens.

    Then, of course, I recall that many people are com­ing to DSLRs from com­pact cam­eras. I won­der if the makers assume people expect a zoom of some kind.

  3. Frank Buvant Says:

    I don’t know of any kit lenses that are much good save the ones that Olym­pus ship.

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